{"id":684,"date":"2014-01-16T07:14:48","date_gmt":"2014-01-15T22:14:48","guid":{"rendered":"http:\/\/art.p-alpha.ne.jp\/?p=684"},"modified":"2014-04-26T04:55:02","modified_gmt":"2014-04-25T19:55:02","slug":"kutani-tatsue","status":"publish","type":"post","link":"https:\/\/art.p-alpha.ne.jp\/2014\/en\/kutani-tatsue\/","title":{"rendered":"KUTANI Tsutae"},"content":{"rendered":"\r\n

\"Rubbing<\/p>\r\n

Rubbing Form\u3000Yabumao
177.5\u00d7334.5cm
japanese paper, black lead, pencil<\/p>\r\n

<\/p>\r\n

1952\u00a0\u00a0\u00a0\u00a0\u00a0 Born in Daimon-machi\uff08now, Imizu City, Toyama Pref\uff09<\/p>\r\n

1977\u00a0\u00a0\u00a0\u00a0\u00a0 Graduated from the Graduated School of Tama Art University<\/p>\r\n

1975\u00a0\u00a0\u00a0\u00a0\u00a0 The 3rd Exhibition of Japan Ceramics\uff08The Mainichi Newspaper Prize Award\uff09<\/p>\r\n

2000\u00a0\u00a0\u00a0\u00a0\u00a0 “Visiting a Ceramic Artist \u2014 Kutani Tsutae” <Wrapping the Empty> on NHK BS<\/p>\r\n

 <\/p>\r\n

group-exhibitions<\/p>\r\n

1982\u00a0\u00a0\u00a0\u00a0\u00a0 “New Form of Japanese Ceramics ’82″\uff08Tour exhibitions in Italy\uff09<\/p>\r\n

1984\u00a0\u00a0\u00a0\u00a0\u00a0 “Art of Toyama Biennial 1984″\uff08The Museum of Modern Art Toyama, JAPAN\uff09<\/p>\r\n

1987\u00a0\u00a0\u00a0\u00a0\u00a0 “Clay and fire \u2014 Today’s form”\uff08The Museum of Fine Arts, Gifu, JAPAN\uff09<\/p>\r\n

1990\u00a0\u00a0\u00a0\u00a0\u00a0 “The Suntory Prize ’90″\uff08Suntory Museum of Fine Art, Tokyo, JAPAN\uff09<\/p>\r\n

1992\u00a0\u00a0\u00a0\u00a0\u00a0 “Modern Oribe \u2014Flock of BASARA\u2014”\uff08The Sougetsu Art Museum, Tokyo, JAPAN\uff09<\/p>\r\n

1933\u00a0\u00a0\u00a0\u00a0\u00a0 “Contemporary Ceramics 1950-1990″\uff08Aichi Prefectural Museum of Art, Nagoya, JAPAN\uff09<\/p>\r\n

1999\u00a0\u00a0\u00a0\u00a0\u00a0 “The 20th Century of Japanese Ceramic Art”\uff08The Sigaraki Ceramic Cultural Park, Siga, JAPAN\uff09<\/p>\r\n

2000\u00a0\u00a0\u00a0\u00a0\u00a0 “Jomonesque Japan 2000″\uff08The Niigata Prefectural Museum of History , Nagaoka, JAPAN\uff09<\/p>\r\n

2013\u00a0\u00a0\u00a0\u00a0\u00a0 “The 2.5 dimensions concerning painting”\uff08Gallery Maronie, Kyoto, JAPAN\uff09<\/p>\r\n

 <\/p>\r\n

solo-exhibitions<\/p>\r\n

1976 \u00a0\u00a0\u00a0\u00a0 Sirota Gallery, Tokyo<\/p>\r\n

1984 \u00a0\u00a0\u00a0\u00a0 Gallery Yamaguchi, Tokyo<\/p>\r\n

1985 \u00a0\u00a0\u00a0\u00a0 Gallery Maronie, Kyoto<\/p>\r\n

1987 \u00a0\u00a0\u00a0\u00a0 Gallery Isogaya, Tokyo<\/p>\r\n

1991 \u00a0\u00a0\u00a0\u00a0 Masuda Studio, Tokyo<\/p>\r\n

1992 \u00a0\u00a0\u00a0\u00a0 Life Gallery Ten, Fukuoka<\/p>\r\n

1994 \u00a0\u00a0\u00a0\u00a0 Amano Gallery, Osaka<\/p>\r\n

1998 \u00a0\u00a0\u00a0\u00a0 Gallery Suzuki, Kyoto<\/p>\r\n

1998 \u00a0\u00a0\u00a0\u00a0 Gallery Naufu, Gifu<\/p>\r\n

2010 \u00a0\u00a0\u00a0\u00a0 Gallery Maronie, Kyoto \/ KCC Gallery, Tokyo<\/p>\r\n

<\/p>\r\n","protected":false},"excerpt":{"rendered":"

Rubbing Form\u3000Yabumao 177.5\u00d7334.5cm japanese paper, black lead, pencil 1952\u00a0\u00a0\u00a0\u00a0\u00a0 Born in Daimon-machi\uff08now, Imiz\u2026\u2026<\/p>\n","protected":false},"author":1,"featured_media":978,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_locale":"en_US","_original_post":"461","footnotes":""},"categories":[2],"tags":[],"class_list":["post-684","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artist2014","en-US"],"_links":{"self":[{"href":"https:\/\/art.p-alpha.ne.jp\/2014\/wp-json\/wp\/v2\/posts\/684","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/art.p-alpha.ne.jp\/2014\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/art.p-alpha.ne.jp\/2014\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/art.p-alpha.ne.jp\/2014\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/art.p-alpha.ne.jp\/2014\/wp-json\/wp\/v2\/comments?post=684"}],"version-history":[{"count":4,"href":"https:\/\/art.p-alpha.ne.jp\/2014\/wp-json\/wp\/v2\/posts\/684\/revisions"}],"predecessor-version":[{"id":1595,"href":"https:\/\/art.p-alpha.ne.jp\/2014\/wp-json\/wp\/v2\/posts\/684\/revisions\/1595"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/art.p-alpha.ne.jp\/2014\/wp-json\/wp\/v2\/media\/978"}],"wp:attachment":[{"href":"https:\/\/art.p-alpha.ne.jp\/2014\/wp-json\/wp\/v2\/media?parent=684"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/art.p-alpha.ne.jp\/2014\/wp-json\/wp\/v2\/categories?post=684"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/art.p-alpha.ne.jp\/2014\/wp-json\/wp\/v2\/tags?post=684"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}